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Exhibition

Rebels and Renegades: Jill Furmanovsky

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REBELS & RENEGADES
The Photography of Jill Furmanovsky
16th November 2024 - 23rd February 2025

Life in London began aged eleven, when Jill Furmanovsky moved with her family from Rhodesia (now Zimbabwe) to London just in time for the start of the swinging sixties. An ardent teenage fan of the Beatles, Jill would often stand for hours outside Abbey Road Studios, but it was outside Paul McCartney’s house that she and her two friends got their chance. Taken on her Kodak Instamatic, Jill’s first rock shot was born!

In 1971 Jill enrolled at London’s Central School of Art and Design and the following year, whilst on a two-week block course in photography, she had a lucky break when she was offered a job as in-house photographer for premier rock venue, The Rainbow Theatre. From then on she shot live shots and features for the music press of the day of the 1970’s and 80’s, including NME, Melody Maker, Sounds, Smash Hits and The Face.

Her first portrait assignment was in 1974, photographing a young Stevie Wonder for the Melody Maker when one of their regulars was ill. She soon began working with other music publications including Sounds, NME and Record Mirror documenting the shifting tides of music in the form of punk, new wave, ska and reggae with bands such as The Jam, The Clash, Blondie, Bob Marley, Generation X, The Police, The Specials, Burning Spear, Madness, Joy Division, Dire Straits.

With the launch of The Face and the changing nature of press shots for the industry, the 1980s saw Jill acquiring a studio and a new set of skills, photographing the stars of the new wave such as Boy George, Paul Weller/Style Council, Adam and The Ants, Wham, Japan, Fine Young Cannibals, Spandau Ballet, as well as emerging female stars such as Joan Armtrading, Kate Bush Siouxsie and the Banshees, Selector, and The Pretenders. Jill’s work has led to long-term working relationships with the likes of Chrissie Hynde/Pretenders and Oasis both of whom she directed videos for in the 1990s.

Jill’s book The Moment: 25 Years of Rock Photography (1995) is a seminal work in the genre. Oasis – Was There Then: A Photographic Journey (1997) followed. The book Oasis at Knebworth (2021) was on the Sunday Times best seller list.

Jill has won many awards for her music photography including The Jane Bown Observer Portrait Award (1992) and ‘Woman of the Year’ for Music and Related Industries (1988). She was Artist in Residence for Abbey Road Studios in 2018 and a judge at the first Abbey Road Music Photographer Awards which supports younger photographers working with musicians. Jill Furmanovsky was honoured with two awards in 2025 - Amateur Photography Magazine gave her a Life Time Achievement Award and So.Co made her an official Legend for her contribution to music photography. In October Noel Gallagher presented her with the ICON Award which celebrates Jill’s long-standing connection with Abbey Road. Throughout her career she has captured some of Abbey Road's most iconic moments, including Pink Floyd’s ‘Wish You Were Here’ recording session (1975) and Oasis recording ‘Be Here Now’ (1997). Years later, she became the studio’s first-ever 'Photographer in Residence' (2017–2018) and joined the judging panel for the inaugural MPAs in 2022, continuing her mission of encouraging emerging talent and inspiring new generations of music photographers.

Jill celebrated her 50th year photographing rock bands professionally in January 2022. Photographing the Invisible – her first major retrospective opened at Manchester Central Library in April 2023. A documentary about her remarkable archive, The Invisible Photographer, has a provisional release date of 2025. Jill first exhibition in Scotland took place in 1997 at the Tramway, with the exhibition ‘Was There Then’ on the band Oasis.

Jill is founder of the rock photography collective www.rockarchive.com which celebrated its 25th anniversary in 2023. She continues as a jobbing photographer shooting concerts if given an Access All Areas pass (her obsession).

The exhibition REBELS AND RENEGADES is a two part exhibition featuring 
Jill Furmanovsky alongside Sheila Rock 

Exhibition kindly supported by Babbity Bowsters/Rab Ha’s. 

Banner Image:The Clash at the Rainbow c. 1977-78 © Jill Furmanovsky
Left Image: Stevie Wonder © Jill Furmanovsky

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